Jews in Music

Lexicon of Jews in Music

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The Lexicon of Jews in Music was first published in 1940 by Herbert Gerigk and Theophil Stengel at Bernhard Hahnefeld Publishing. The book, which appeared as volume 2 in the series Publications of the NSDAP Institute for Research into the Jewish Question, was compiled, according to the subtitle, "on behalf of the Reich leadership of the NSDAP on the basis of official documents verified by the party."

Musicians, musicologists, librettists, directors, music publishers and other people who were involved in music and who were considered "Jewish" or "half-Jewish" according to the anti-Semitic, National Socialist definition of the Nuremberg Laws are listed in it. It also contains a list of titles of "Jewish" works that were not allowed to be performed.

The lexicon was constantly updated by the staff of Gerigk's special music staff of the Reichsleiter Rosenberg task force and by informers. It appeared in five editions; the first contained 380 columns, the third (1941) already contained 394 and the last (1943) 404 columns.

Das Lexikon wurde in der Sowjetischen Besatzungszone auf die Liste der auszusondernden Literatur gesetzt.^[1]

A corresponding encyclopedia of Jewish writers planned by the Germanist Elisabeth Frenzel for the Institute for the Study of the Jewish Question, which was also intended to serve the exclusion of the artists included, never made it beyond the planning phase.

Editions[edit | Edit source]

Theo Stengel, Herbert Gerigk: Lexikon der Juden in der Musik. Mit einem Titelverzeichnis jüdischer Werke. Zusammengestellt im Auftrag der Reichsleitung der NSDAP auf Grund behördlicher, parteiamtlich geprüfter Unterlagen (= Veröffentlichungen des Instituts der NSDAP zur Erforschung der Judenfrage, Bd. 2), Berlin: Bernhard Hahnefeld, 1941 (1. Aufl. 1940).

Literature[edit | edit source]

Eva Weissweiler: Eradicated! The lexicon of Jews in music and its murderous consequences. Dittrich, Cologne 1999, ISBN 3-920862-25-2 (The book contains a history of the lexicon's creation and impact as well as a facsimile edition of the 1st edition).
Fred K. Prieberg: Handbook of German Musicians 1933–1945. CD-ROM Lexicon, Kiel 2004. online

References[edit | edit source]

↑ German Administration for Public Education in the Soviet Occupation Zone, List of Literature to be Discarded In: polunbi.de, accessed on 21 May 2019.

Black Wizard of OZ (Nahal)

New text

I want to bring the spottergirlsof nahal Oz out of gaza. I hope i can say we. We want to get get the spotter girl out will the blaclk wizard of oz do it probbalyy not but there are differn proballitys

The black wizared of OZ

(On the skin)

one of the most hunted men in Israel. And we have some News. But we want before an interview by frenzied reporters (freelancers) from Haaretz (newspaper) and CNN news

out of the dark

please please, I beg on my knees

get me out of here

become a sex slave at:

I love you

and because I love you remember

every tear is a pearl with which you can pay for entry to Paradise!!

Corpus Christi

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Wellcome in the hell where The Pasha of fucking will fuck you beffore you undewete anything Reind. your aster illbee a Transssylvanien. And so you have to knen this Way

fighters who are either members of IS or are close to it. At the beginning it is mainly Snoopy's spotter girls:

Daniela Gilboa, Naama Levy, Liri Albag and Agam Berger.

These must not become fascists (better the German word "faschistoid" )immediately after their release from Hamas custody and claim: the worst thing for a woman is not death but a life as a slave of the harem. They preferred to live a Slave und they have continue to o so. But of corse only for a limited time and without rape. as comfortable as possible and we have to set the rules now

set the rules

New text

Setting the rules will be very difficult. We not only have to set the rules for the spotter girls but also for the mothers and everyone who takes part.